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3 Comments

  1. But that scene was never written. Painting the walls an electric blue color, she brought in a showroom full of vintage cars.

  2. After not hearing back, Refn called him, at the very same time that Cranston was writing on a piece of paper the pros and cons of doing Drive. Refn chose to give The Driver very little dialogue and instead have him drive around listening to synth-pop music, taking control when it counts.

  3. As the Los Angeles Times pointed out, whenever gleaming buildings are shown, it is because they are being seen from a distance. Prior to filming, Mickle supervised a crew of 40, routinely working to hour days. For me, it was an opportunity to act outside the box.

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